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The Halley De Vestern Band.

"You've got the biggest pipes I've heard on a babe in a long time." - Bonnie Bramlett

REVIEWS OF THE NEW CD "SUPERHERO KILLER"

(scroll down for reviews of Halley's other CDs)

LOG-ROLLING, FAN FEEDBACK & OTHER PHAT QUOTES

FEATURE ARTICLES & INTERVIEWS

"Superhero Killer gives you ample doses of everything you've ever loved about DeVestern, including ballsy howling vocals, crisply written songs with hard-hitting lyrics, a strong backing band, and decent production values as an added bonus.  Several of these tracks are flat-out outstanding...  This CD gives a very satisfactory taste of what all the fuss has been about."
- Richard Hughes, Good Times
Good Times Cover
Click the image to see the famous "Reincarnation of Janis" Good Times cover.

"Halley Devestern has a big, ballsy voice and knows how to use it.  She's got the funk too!... harkens to the great Maria McKee and Lone Justice."
- Ear Candy

"The next Janis Joplin is Halley DeVestern... Not only can Halley channel he ghost of Janis into her vocal chords, "Five Minute Love Song" sounds a bit like a Natalie Merchant track, "Cancer of the Mind" has a classic 60s R & B feel and "I'm Dead Too" impresses with her ability to use all octaves of her remarkable vocal range."
- Ben Montgomery, CDReviews.com

"A much more raw and edgy Halley.  Halley sounds mad, angry and tough.  She's toured with Janis's old band, Big Brother, and it shows.  The end result is an album with female vocals in the same lines of Janis's rough hewn blues, but with an even more raw and even more edgy quality."
- The Celebrity Cafe

"Superhero Killer is an intense juxtaposition of serious tone and catchy music...  Don't expect to be uplifted.  Don't pick this out if you're looking for an entertaining sound with amicable lyrics.  This is an album with depth that will challenge your perceptions."
- C. Nathan Coyle, Rambles

"I can think of many a night where this CD could have talked me down from a ledge or given me the courage to jump…I guess it would depend on the track... I can confess to the desperate desire to be first in line for their next live show because I have to experience this music to believe it. Is everyone in the band okay?  Do you need somebody to talk to?"
- Anne Deming, Collected Sounds

[A] theatre BFA from Boston U. now living in Brooklyn, [DeVestern] shows her background with songs that are often visual and rich with subtext.   Like these influences, DeVestern can offer up big melodies and intimate ballads.  She can be lyrically dark and psychological, and often marries upbeat melodies with lyrics that range from eerie to terrifying.  Titles like 'Strangled in the Park' only hint at the territory DeVestern is willing to tread.

'Hey I'm a Man' is a peek of the Pixies, an imagined conversation with Patti Smith.  'It's a Girl' and 'Glow in the Dark Baby Jesus' are both unmistakably theatrical and as I found after the CD ended and I ran errands, melodically hooky.  The song went with me through my afternoon out of town in Virginia Beach.  Singing the lyrics to 'It's a Girl' there, however, where 'offensive language' can get you a quick ticket and even a night in jail wouldn't have been a good idea.  Refusing to face such uncomfortable images doesn't prevent the events and uncomfortable images from playing out everywhere in the world.  That's an irony DeVestern might note with clear eyes and sharp tongue.

DeVestern's voice is striking and flawlessly restrained in 'New York City Happy Song' and it's with little chagrin that she sings, 'You're never gonna be thin enough to fit in the TV set.'

There's no question that DeVestern has a powerful voice.  She's toured with Big Brother and the Holding Company by their invitation.  But her restrained performance in 'I'm Dead Too' is affecting.

So many releases by strong vocalists are that of 'The Vocalist' and 'supporting band.  Superhero Killer comes across as a group of accomplished musicians who regularly play together because that's what they are.  It's a quality that can't be manufactured and it's a pleasure to hear.  Jimi Crespo, Jon Sobel, Ray Crespo, and the late Dijana Derkac add their talents to Superhero Killer and to the live show.   Sobel and Crespo share songwriting credits with DeVestern on a few tracks and Sobel wrote the ominously mournful 'Seashell.'  DeVestern created the painting that adorns the CD.

Superhero Killer offers plenty of darkness, but not for shock.  DeVestern's got more than that to throw at us and I want to listen."
- Cesca Waterfield, Expository Magazine

"From the declarative first cut 'Sugar Free,' DeVestern shows a big voice that's a cross between Maria McKee and Janis Joplin, along with a scathing writing style that walks the emotional extreme.  Some will find DeVestern's unvarnished approach too provocative or uncomfortable to be their cup of tea; others will find her a refreshing clearing of pop niceties from their musical palate.  The songs here are filled with caustic social commentary ('The poorer you are the fatter you get/You're never gonna be thin enough to fit in the TV set')... But even though she takes a nasty R-rated blowtorch to objectification with 'It's A Girl,' DeVestern also adeptly handles emotional bleakness on 'I'm Dead Too' and can take a tablespoon and still drench 'Five Minute Love Song' with erotic meaning."
- Dan Thomason, Amplifier

"Halley DeVestern's third CD, Superhero Killer, rocks as hard as we expect from Halley DeVestern.  Her combination of blues, rock, and funk with high energy vocals and raw power make this CD a keeper.  DeVestern is widely known for her vocal power and has even toured with Big Brother and The Holding Company, the band that made Janis Joplin famous.  This CD combines hard-hitting, in your face rock, with bluesy ballads, and unrestrained power to give the listener eleven songs that will leave them wanting more.... She has the ability to show a restrained elegance as well.  Especially on 'I'm Dead Too' and 'New York City Happy Song' where Halley shows her range and just how delicate her voice can be when she chooses so.
The musicianship on this release should not be overlooked while concentrating on DeVestern's vocal power.  It is apparent that this band has been working together for a good bit of time.  Denise Barbarita's abilities as a producer are also clear."
- Best Female Musicians


"Halley DeVestern is of course a goddess of western civilization."
- Women in Musica

"Halley DeVestern could give Janis Joplin a run for her money
in the wild blueswoman category."  - Bern Rappold, The Julia Set

"Halley sings the thoughts in my head!!  She can rock and she is a powerhouse of musical emotion."  - Thaelo Blue, WEFT-FM, Champaign IL

If you can't cut it live, you can't cut it period.  And she cuts it like the knife fight in West Side Story."
- Bill Ribas, NYRock

"Compelling, direct, passionate music to rock your soul."  - Richard Fox, WCUW, Worcester MA

"Damn, that girl kicks ass!"  - Holly Figueroa, founder of Indiegrrl

"Halley's voice can bowl you over from 50 paces away.  There are very few vocalists, either male or female, who can sing with the fire, intensity, passion and finesse that Halley can."  - Aaron Childs, WCSR, Michigan

"This CD has had a permanent spot in my CD player since I purchased it a couple of months ago.  Raw, organic and real: this CD has everything that's missing in today's sterilized pop music.  Halley's vocals are top notch, the musicians are first-rate and the arrangements are perfect.  Particularly striking on this album is Halley's tremendous talent as a lyricist: there is a direct, dark humor here that is both poetic and distinctive."  - Allison Tartalia
THE CITIZEN (Auburn, NY):  "Janis Joplin lives?  Well not exactly, but the next best thing is taking the country by storm."  Read the full text.

THE LONG ISLAND VOICE: "If Natalie Merchant lost her pretension and got soused on Southern Comfort instead of herbal tea, she might be DeVestern."  Read the full text.

THE ITHACA TIMES: "The [Big Brother and the Holding Company] tour also enabled her to understand the undying devotion that people still have for Janis.  'Sometimes people would come up to me in tears and say 'you brought it all back,"' recalls DeVestern."  Read the full text.

NEWSDAY: "How does a nice Rockville Centre girl like Halley DeVestern make us believe that she's got the brains, teeth and smell of an animal?  That she's got a 'bloody screaming jones' and 'digs a moonlit howl?'"  Read the full text.

THE ITHACA JOURNAL: "Sounds like Janis, writes like Alanis.  That's the easy way to label Halley DeVestern, an up and coming singer from Brooklyn.  But a listen to her debut CD, Sugar Free, offers convincing evidence that she's far more than the sum of those clichés."  Read the full text.

MTV ONLINE: "HALLEY DEVESTERN deserves to be judged on her own merit.  Forget the comparisons and similarities to some of music's most influential women; Halley might one day join them, but it will certainly be on her own terms."  Read the full text.

Halley interviewed by The Celebrity Café

Halley interviewed by Committment.com

Halley interviewed by NewBeats
SUPERHERO KILLER:
THE NEW CD

REVIEWS & ARTICLES
GIGS
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REVIEWS OF "LIVE AT THE TOWPATH INN" (2000), "SUGAR FREE" (1997) AND LIVE PERFORMANCES



"[On Live at the Towpath Inn] Halley DeVestern has a gutsy powerhouse voice with an edge as keen and as hard as a diamond blade.  She sings dark in-your-face blood-stained songs that share that edge... Her emotions range from barely restrained anger to sheer rage and back again, with a kind of glee underlying it all."
- Donna Scanlon, Rambles

"Presented with two of DeVestern's CDs, I chose the live disc ["Live at the Towpath Inn"] over the studio.  And although the instrumentation is light on the live disc, one needs only to look back to the landmark case (the People vs. Milli Vanilli) to understand that if you can't cut it live, you can't cut it period.  And she cuts it like the knife fight in West Side Story.  With just guitar, fiddle, and drums, the disc proves to be a thumping, bluesy ride that actually benefits from the sparseness by promoting her voice.  And her voice, when mellow, reminds one of Natalie Merchant, until she gets cooking, at which point she takes the road less traveled by the former, and sings from the gut like Janis Joplin.  Heck, I almost felt like taking a pull off a bottle of gin.  DeVestern was also part of the Indiegrrl circuit, and when success hits, which should be soon, she'll be packing the big houses on her own.  Strong, soulful stuff."
- Bill Ribas, NYRock

"Live at the Towpath Inn is a collection of edgy folk-rock/roots rock songs that showcase DeVestern's passion and musical ability.  Backed up by a violinist and percussionist, DeVestern creates a sound reminiscent of Janis Joplin, a gritty Natalie Merchant, or Robin Pearl... 'Superhero Killer' is a driving acoustic song that oozes raw power and emotion, and doesn't take shit from anyone.  Since the song was done live with no engineering trickery, you can really hear where DeVestern's heart is as she performs this one... If you like Janis Joplin, Annie Johnson, or Robin Pearl (both reviewed right here on Indie-Music.com), you'll love Halley DeVestern.  If you like Korn, Metallica, or Godsmack, forget about it... For pure, unadulterated, no preservatives added roots rock, Halley DeVestern is definitely one of the women to watch for the next several years.  With her maturity and passion for making great music, we're definitely going to hear more from the young rocker with the old soul.
- Erik Deckers, Indie-Music.com

"Halley's powerful vocals [on Live at the Towpath Inn] are reminiscent of great coffeehouse folk-rockers, while the music is a sort of insistent country-folk.  It's a powerful, emotional disc throughout.   My personal favorite
track is 'Superhero Killer.'"
- Geoff Wilbur, Geoff Wilbur's Renegade Newsletter

"HALLEY DE VESTERN has a couple of obvious things in common with Janis Joplin.  First and foremost is the voice, powerful, bluesy, full of raunchy attitude.  Next is De Vestern's stint as lead vocalist for Big Brother and the Holding Company.  Now, like Janis, she is pursuing a solo career that has resulted in a couple of albums, the latest being Live at the Towpath Inn... From there, she departs from the Janis comparisons.  While you'll always hear just a bit of Joplin in all her songs, De Vestern has created some original songs that showcase her talents as an artist in her own right.  Her roots and blues influences power these tunes in a way that might make Natalie Merchant or Joan Osborne jealous.  Recorded live... the arrangements are fairly simple.  It's essentially De Vestern on guitar and vocals, Rima Fand on violin, and Jim McShea on percussion.  Her lyrics are poetic, clever, and often humorous in a kind of dark way.  It takes a few listens for the actual lyric content to seep in, since at first listen you may be marveling more at the power of her delivery than what she's actually delivering.  Once you get into it, though, it's well worth the effort."
- Philip H. Farber, The Kingston (NY) Daily Freeman

"Her first CD, Sugar Free, has an electric roots rock and soul sound, while her latest work, Live at the Towpath Inn, has a keen folk rock edge, complete with acoustic guitar and Rima Fand's wailing fiddle.  Both albums showcase DeVestern's songwriter acumen and her vocal talent."
- Tricia Asklar, The Valley Advocate, Northampton MA

"Halley De Vestern is a true indie girl, a pioneer in the world of unsigned artists.  Halley brings TONS of emotion to her live performances."
- Lindzi Scharf, CosmoGIRL

"This gal is headed for fame.  There is no doubt about it.  She sounds like Janis Joplin but it doesn't stop there.  She sings from the heart AND soul.  And what a soul!  Her voice bowls you over!  Sugar Free should be in everyone's CD collection who loves rock and blues.  Listen ... and you'll be hooked."
- Liz Smith, The Night Guide, featuring Halley as "Woman of the Night Guide"

"Halley is a highly intelligent woman with her own style.  I just love her.  She learned twenty of our songs without having any rehearsal with the band.  She just stepped on stage in Providence, Rhode Island, and sang two sets with us as if she had been doing it for ten years.  I have never seen anything like that.  I like her tunes and her brisk, commonsense manner."
- Sam Andrew, Big Brother and the Holding Company

"Instead of railing at the world in a high, thin keen, this lady lets loose with a big, bluesy roar. The formula might not be new... but the rootsy attack is arresting."
- Listen.com

"Halley DeVestern's Sugar Free offers straight-up blues-rock with attitude.  The songs are, for the most part, more than a little angry, and De Vestern does not attempt to soften them up one bit -- hence the "sugar-free" album title... The songs on the album are pretty aggressive and may scare the unprepared listener, because Halley really does look like a nice girl on the album pictures.  But she is not ashamed of who she is, as she deliberately remarks in one of her songs, "I'm too scary for you."  So be warned: this is not your typical female songwriter... this album is not for the faint-hearted, but it is good for those who want to get a little something off their chest. Or a lot off their chest, actually.  And if you don't like it, I'm sure she could tell you of numerous places you could go and tell someone who cares."
- Patrick Derksen, Rambles

 "Beautiful and passionate soul, with a definite rock groove is what you can expect from Halley DeVestern. Her music has a great inspirational feel. Very soulful and full of passion.  Halley's vocals remind me of Natalie Merchant one minute and Carly Simon the next. Her style and range has the ability to cross genres, even into country music if she wanted to. The music is sort of a funky rock style with a touch of soul and maybe even a little blues. The sound is upbeat with a raw texture that makes the album even more interesting.
"I found this CD [Sugar Free] to be very enjoyable and full of surprising grooves.  Halley doesn't stick to just one sound.  Her music runs the scale and paints an abstract image in your mind.  The songs that I loved on this CD were "Animal" and "Anthropologist," for their heavy passion.  Then again, "She Is A Bitch" is a smooth rocker with great lyrics and a vocal tone that sets the mood of the song nicely.  No matter what song you choose as a favorite on this CD, you'll definitely have a place in your heart for them all.  I don't say this often, but this is one album that I'm happy to have the privilege of reviewing.  Very good music."
  - Michael Allison, naming Halley an ELITE ARTIST in The Global Muse

"With the glut of terrible female vocalists being perpetrated on the American public as a whole, it is oh-so refreshing to hear a woman like Halley DeVestern playing music.  Now, the poppy, bluesy music here is not by any means my ordinary taste, but I think I know good music when I hear it.
"With a voice that is reminiscent of Natalie Merchant (without all the preachy goofy crap), DeVestern belts out a mean tune.  See the line, "I'll light myself on fire if you pour the gasoline" from "I'll Light Myself on Fire": very nice.  The band has a strong handle on the tune-smith occupation - whether this is all Halley barking out the orders or if the backing band is that good, I don't know.
"Playing in the shadow of Sheryl Crow, Shania Twain and the fucking Dixie Chicks (don't even get me started on The Indigo Girls), Halley busts out honesty, my #1 favorite in music.  There seem to be a lot of Alanis comparisons, but I don't hear it.  None of that annoying "Thank you India, thank you Jellybeans" sentiment.  Life is not all peace and quiet, and DeVestern gets to the root of this in "Animal": "I feel like dying all the time, I feel like drinking your blood", while echoes of Dylan and maybe even Paul Westerberg play along.  It's always good to hear competent production, and I really like the beginning section of "Animal" nailing that radio-ized vocal and guitar introduction before blowing up into the rest of the song, kick starting the music nicely.
"I won't begin to use stupid music critic words like taut, grooving, or nimble, but all apply.  DeVestern and the boys are one of those bands that truly deserve all success they get.  Why that deaf-mute Geffen hasn't noticed 'em yet I'll never know (probably only because he hasn't paid anyone that likes good music to go slumming in the clubs of NYC).  My pick?  "I'll Light Myself on Fire".  I think we should all plan on seeing Ms. DeVestern showing up on the radio dial in the very near future."
- Uncle Beetle, from the zine Excerpt, reviewing three songs from Sugar Free made available at MP3.COM.

"I love the gutsy punch-in-the-face feeling this album gives me... Halley sings the thoughts in my head!!  She can rock and she is a powerhouse of musical emotion.  From one woman to another, its incredible to feel the strength and truth behind her songs.  Grrrrrr.... I feel like an animal and I wanna hear some more!!!  Rock on!!!"
- Thaelo Blue, WEFT-FM, Champaign IL

"Echoing the raw-throated wail of Janis Joplin, Halley DeVestern wears her blues-rooted influences like a badge of honor. Yet despite her retro tendencies, DeVestern displays a streamlined restraint and knack for penning catchy, radio-ready fodder.  It's that knack which has left many onlookers wondering why she's not in on the accolades and riches being lavished on Alanis Morissette, Melissa Etheridge, Natalie Merchant, Sarah MacLachlan, and the rest of the Lilith sisterhood.  'I'll Light Myself On Fire' showcases DeVestern's voice (again, bearing more than just a subtle likeness to Janis Joplin's), against a rock-solid bed of backbeat and blues-inflected guitar work.  It's featured on her 1997 LP, Sugar Free (Bagel & Rat)."
- Pat Berkery, CDNow (now Amazon.com)
   
"FOUR STARS... An impassioned female singer/songwriter with a firm grip on the blues, and power like 70's arena rock giants.  And that was the first song, 'I'll Light Myself on Fire'...</B> 'Animal' is an absolutely driving song, with Halley singing 'My imagination runs like dirty water/You'd never know that I was somebody's baby daughter'.  But most people, myself included, tend to gravitate towards 'She Is A Bitch', probably the catchiest track, or at least the one most likely to be remembered.  'Ring of Love' is my other personal pick, and not just because it has a blood reference, either."
- Persygrrl, INDIECATOR

"Is it the angst and fervor of her lyrics that conjure images of ALANIS MORISSETTE, or even FIONA APPLE?  Maybe it is her stage presence that is reminiscent of the great blues ladies, especially the unforgettable JANIS JOPLIN.  Or maybe it is simply the passionate lyrics and blues-influenced grit that reminds the listener of MELISSA ETHERIDGE or JOAN OSBORNE.
       HALLEY DEVESTERN deserves to be judged on her own merit.  
       Forget the comparisons and similarities to some of music's most influential women... <br>
       DeVestern recently released her debut album, <I>Sugar Free.</I> 
       The aptly titled masterpiece contains songs of...the dark side of humanity that are certainly not coated with sugar like so many of today's chart toppers.
       At a recent Long Island show, DeVestern's power was quite evident...'I'll Light Myself On Fire' has hit written all over it."
  - Brad Shafran, MTV ONLINE, reviewing a live show.
 
"Raw and passionate and totally mesmerizing... Yes, Halley sings a mean note, but she's more than that, and her ability to articulate such complex and dark emotions while still keeping the songs accessible is nothing short of remarkable."
   - Independent Songwriter
  
"Two songs from Sugar Free, the debut CD from Halley DeVestern... are true discoveries.  Famous concert promoter Ron Delsener hooked her up with [Big Brother and the Holding Company].  I'm glad he did."
    - Joe Viglione, Music Business Monthly, reviewing a concert by Big Brother and the Holding Company featuring Halley DeVestern at Harper's Ferry, Boston MA

"Halley DeVestern is an artist worthy of wider exposure and recognition.  This independent female singer/songwriter crafts bluesy, homespun pop with a world-weary perspective evident in her lyrics... The music is just so down to earth... DeVestern is an incredible vocalist - she echoes Janis Joplin and Natalie Merchant but with a unique style all her own.  This album [Sugar Free] lives up to its title 'cause it's filler-free... substance triumphs over trends."
   - David Chiu, UniverCity Magazine, Sept. 1999.
  
"Unlike the manufactured fervor of Alanis Morisette or the rootsy passion of Joan Osborne, DeVestern's classic sound spawns from a different kind of drive -- one that takes no prisoners.  If Natalie Merchant lost her pretension and got soused on Southern Comfort instead of herbal tea, she might be DeVestern."
     - Robbie Wolliver, Long Island Voice
  
"Ballsy, bluesy, roots-rocking mama who's got a little Bonnie and Melissa and a whole 'lotta Janis."
     - Ian D'Giff, Long Island Voice

 "Halley DeVestern is a pop pugilist.  When she lashes out at her targets - lowdown men, broken relationships, timid parents - she doesn't swing wildly, she lands a shattering uppercut...  One part Joan Osborne, another Natalie Merchant, with a whopping dose of Janis Joplin tossed in, DeVestern sings like a woman possessed.   With the bluesy inflection of a gin-joint queen, her voice soars over this razor-sharp collection of country-tinged, organ-drenched songs.  Had Maria McKee lived up to her potential, this is the record she would have made.  Why Sugar Free wasn't released on a major label is anybody's guess.  DeVestern's irascible manner is as radio-friendly as any Alanis Morissette or Meredith Brooks.  She's no sweet little pop moppet, but her debut effort is richer than double-chocolate cake.
   "Performance: A   Songwriting: A   Sound Quality: A
     - Isaac Guzmán, giving Sugar Free an extremely rare Triple-A rating in Newsday
  
"Raw power, golden throat and a razor tongue... The quality is so fine, that even on the MP3, I can feel the drum stick hitting the snare drum.  Halley is a rare find indeed... unpretentious, melodic with kick ass arrangements and a tremendous voice."
     - Renegade Reviews
  
"Halley's voice can bowl you over from 50 paces away.  There are very few vocalists, either male or female, who can sing with the fire, intensity, passion and finesse that Halley can.  Put your seatbelt on before you throw this into your CD player, because you're in for one hell of a treat!"
     - Aaron Childs, WCSR, Michigan

"With a tight rock/R&B sound and a voice that brings to mind Janis Joplin, DeVestern is a roots rocker with an attitude - a bad attitude."
     - Taylor McNeil, Bostonia

"'I'll Light Myself On Fire' pushes every sonic envelope there is and it does it in a way that sends the brain scrambling and makes the listener forget to breathe.  We often look for that 'big song.'  One that makes us feel as tall as a mountain. This song does just that... "In blues-laced, alternative rock style, Halley creates a powerful combination in the song's opening minute.  The electric guitar banging out the chords with the hammond organ and harmonica create the perfect introduction to a voice that's emotive style might be mistaken for legendary female singers, past and present.  Halley's voice is what sets her apart from most of the overly sweet female singer/songwriters of the day.  It's no wonder her debut album is called 'Sugar Free'... Terrific songwriting, top-notch production and classic vocal work create a triple threat... Halley DeVestern's lyrical ability in concert with the other stellar aspects of this song create an artistic grand slam that is much coveted and rarely attained by today's music makers.  It's safe to say that if this song were on major market radio today, it would (after time) be looked upon as a classic... It seems clear that, despite the title of her album, Halley DeVestern's future is looking sweeter by the minute."
- Scott Meldrum, MP3-REVIEWS
  
"You get the impression that Halley doesn't do anything half way - and this album proves it.  'Sugar Free' is a fabulous CD that I just haven't been able to stop listening to... When I get this addicted to music I know it's good stuff."
     - Jodi Krangle, The Muse's Muse
  
"Powerful and wonderful."  - Manhattan Mirror

"Rockville Centre native Halley DeVestern has been wowing audiences with her bluesy, countrified take on rock and roll womanhood.  Part Janis Joplin howler and part Liz Phair philosopher, her debut disc Sugar Free has been earning rave reviews."
     - Newsday listing, Feb. 25 1999

"A woman who speaks her mind and sings it with a vengeance."  - The Buttonwood Tree

"Wow.  Halley De Vestern has a voice you won't believe.  Sure, everyone compares her to Janis. People often need to find a comparison to define what they have heard.  And it is true that De Vestern toured with Janis's band, Big Brother and the Holding Company.  But De Vestern also has something more: an attitude that seethes at times, looks inwards at times, but always, always, gives you the facts.  No bullshit.  No sugar-coating, just like the title, Sugar Free... This is an artist who deserves major recognition, and is likely to find it.  Get it now while it's still indie. Be sure to catch Halley on this summer's Indiegrrl tour. And watch out Joan Osborne."  - Suzanne Glass, Indie-Music.com
  
"Halley DeVestern's Sugar Free is an awesome achievement!  It's a dream mix of sounds and styles that come together perfectly. Halley's voice is mesmerizing. The first time I heard it I sat slack-jawed, staring forward, feeling a gigantic smile stretch across my face.  It is the bizarre mix of a twangy country western singer and a cheesy 70's lounge singer gone wild.  It's a bit young sounding, but in a way that is completely endearing. And her band?  Just as incredible. I call their style 90's roots rock soul.  They have a way of sneaking into a song with a soft, soulful beat, perhaps making room for Halley's intense voice, then building up to some incredible slow-motion jams that are sure to get your head bopping.  And all of this is topped of with sharp, catchy, and, dare i say?, sassy (ouch) lyrics.  Put it all together and you have a cd that is sure to draw major attention.  So give it a listen, and see for yourself."  - Jeff Hepfer, Burn Yer Radio, coining the phrase "Roots-Rock Soul"
  
"Compelling, direct, passionate music to rock your soul."  - Richard Fox, WCUW, Worcester MA
  
"[Halley DeVestern has] a quality that makes nearly every song compelling.  DeVestern has no trouble convincing the listener that she believes everything she sings.  I believe it."
     - Rick Teverbaugh, Face the Music, Indiana
  
"This thing goes down tough as nails and sticks to your ribs!... Musically, these songs bring to mind Bonnie Raitt, Blues Traveler and John Mellencamp.  However, what sells this disc is DeVestern's voice: a snarl mixed with a Southern drawl that could only be that of the resurrected Janis Joplin... This gusto-filled performer is a definite contender for being spotlight stealer on next year's Lilith Tour when sharing a stage with other female heavyweights."
     - Mark Adomaitis, The LIE (Long Island Entertainment)
  
"Halley DeVestern proved her growing reputation well-deserved with a nine song set which included much of her debut CD Sugar Free.  DeVestern roared on the Joplinesque 'Animal' and entranced on the moving 10,000 Maniacs-like 'Scary.'"
     - Paul Henry, The Island Ear (now the Long Island Press)
  
"At a recent Sunday night showcase at the Long Island Brewing Company was a young singer, guitarist, and songwriter who goes by the very memorable name of Halley DeVestern.  After witnessing a few of her original songs, it's evident that her performance is just as memorable... isn't that what it's all about?  Getting in touch with feelings and the ability to relate and say, 'Hey, man, it's okay.  I been there too.'  If this is part of her mission, she achieves it lovingly and easily enables the audience to tap into their own pain."
     - Blue Lou Margiore, Good Times
  
"The band opened up with "Down On Me" and Halley proved to the crowd that she was more than an adequate replacement for Lisa [Battle]... The band then went into one of [Halley's] compositions, 'Animal.'  This my friends is a great tune and the band played it like it was one of their own... I really don't think it's fair to compare her with Janis but I did think of her on a number of Halley's vocals.
         - JW Anderson, JW's Rock Garden - from a review of Big Brother and The Holding Company, Rochester, NY, 22 Oct 1998
  
"De Vestern is indeed working in the same sort of blues-influenced territory that Etheridge and Osborne work -- the thing is, she's better at it."
     - Pathetic Caverns
  
"Put this CD right next to Maria McKee, Joan Osborne and Janis in your record collection.  Filled with strong, gutsy tracks of R&B- and country-flavored rock, SUGAR FREE is a debut any artist would be proud of.  There is very little gentle or delicate in DeVestern's songs.  Rather, her tunes are populated by real-life sufferers and survivors.  Her tracks are vibrant, her melodies catchy and her delivery is soulful and sure.  There is passion fused into every groove... of this disc, with DeVestern's crack team of musicians matching her every step of the way... FOUR STARS"
- Jennifer Shields, The Music Paper
  
"Kicks into high gear from the first tune, an R&B smoker on the Aretha tip.  'I'm Over It' displays a vibrato and twang descended directly from Janis, backed by an organ-fed groove evocative of Rita Coolidge's early 70s work.  A tight, polished band ably backs De Vestern's bluesy flights, lifting her substantial melodies and never overpowering them... Soulful, strong and sure, Halley fits comfortably next to Joan Osborne in your unalphabetical record collection."</B><br>
     -  Jim Santo's Demo Universe, an early review of the Red Tape (the demo that came before Sugar Free
  
"Clean, fresh, powerful sound with a fun, jazzy, funky, power pop feel."
     - Shawn Collins, Velocity N.Y.C., with another early review of the Red Tape

"Halley has an incredible voice...Overall, the cd makes you wanna go out and beat the crap out of whoever that guy was who pissed her off.  Believable emotion is key to music like this, and Halley pulls it off expertly.  Look out world, here comes Halley DeVestern."
     -  Women in Musica
  
"DeVestern's voice is perfectly suited to her musical style.  She has been compared to both Melissa Etheridge and Joan Osborne, but she truly has a better voice than both."
     -  The ChickRock Pages
         
"Here is a remarkable voice tied in with a great playing band.  Halley's voice is deep and clean...her songs wind into stratospheric realms... <B>A wonderful find in today's music."</B><br>
    -  Hotstuff NYC
  
"Totally unique.  There is a certain strength shown in her expression that makes her one-of-a-kind.  As always, I find it admirable that she writes and plays every song on the album.  The music is upbeat, definitely entertaining... Many of the songs have a bluesy feel; others are full of the passion and rage of rock music.  This just makes her more unique..."
    -  Music-Critic.com
          
'Sugar Free' is certainly sugar free... No phony Spice Girl Power tricks... real from the heart songs."<br>
    -  All of the Female Voices (The Netherlands)
  
"There's nothing more gratifying than to endorse an artist who has the potential to hit the world market.  You have a great voice and the music is phenomenal!!! &nbsp;  <B>I was overwhelmed when I listened to your audio samples and wasn't shocked when I read your reviews.   I can see you becoming a household name in the very near future."
    -  Paula Brown, Women Artists United (Australia)

"This lady must be sick of being compared with Janis Joplin, especially since she's even fronted Big Brother and the Holding Company.  But that's because it's so spot-on.  DeVestern doesn't pull any punches with her
gutsy delivery, and she operates in the classic, well-mined bluesy roots-rock milieu. It might not be new, but DeVestern does it very well."
- BigO (Singapore), March 1999


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